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Sderot\ Faces

Prior to the production of Shooting in Sderot, we have constructed a photo essay of some faces of Sderot with street style photography. Our objective for this project is to visually convey the emotions of the people living in the city, whether they are happiness, indifference, or any other. We want to tell Sderot’s story in a way that can be universally understood, and what better way to do that than with photographs.

We went into the city with a mission to see and understand how people there live. We shot them in their workplaces, at their most frequented places in town, and with their families. We hope that this project brings the world one step away from politics and one step closer to the humans of Sderot.

We want to prove that all people- no matter where people live, what their beliefs are, or what they do with their time- are the same. We all have fears, we all struggle, and we all have a pressing urge to be happy. We hope that our photos can show some reality of the people that live in Sderot regardless of politics, economics, and unawareness.

 

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Shooting in Sderot/ Sociopolitical Background

הסוסיתא של הרצל - נער ונערה עם גיטרה

For the past ten years, the city of Sderot has been in the eye of the storm of the Israeli-Palestinian conflict. Situated a few kilometers from the city of Gaza, the life of Sderot residents has long become insufferable. The barrage of qassam missiles falling upon them like a nightmarish drizzle with no end in sight, intensifies the feelings of helplessness, suffocation and frustration that continues to grow from year to year. A city that once was a source of pride has over the years become a trap of death and despair.

הסוסיתא של הרצל - דרדר

Within this impossible routine, the city residents are forced to get up every morning and go to work in the factories situated in the area which are slowly closing, one by one, or to go out and try to salvage their failing private businesses. The school children, who were born with the qassam missiles and grew up in the shadow of fear, now spray graffiti on the fortifications scattered all over the city as missile shelters. Some of them remain closed in at home, while others go out in defiance of the missiles, and all of them dream of leaving.

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Shooting in Sderot; Synopsis

Director: David Kreiner \ Writer: Shlomi Elkabetz, Michal Vinik and David Kreiner\ Producer: Avi Bohbot\ Languages: French, English, Hebrew, Arabic\ Production Status: In Production and Fund Raising

 

Following professional and familial crisis filmmaker Yaron Barlev moves from Tel Aviv to the city of Sderot to teach high school students. The encounter between Yaron and his students inspires hope among them but is shattered upon the arrival of The Gaza War.

For the past twelve years, Sderot has been the heart of the Israeli-Palestinian conflict. The endless barrage of Qassam missiles falling upon Sderot intensifies feelings of helplessness, suffocation, and frustration. A city that once had a warm sense of community is now a death trap of despair. City residents are forced to work in dwindling factories and school children grow up in a shadow of fear. Some go outside in defiance of the danger while others stay at home, yet all of them dream of leaving.

Amalia Elbaz, the principle, asks Yaron to involve his students in “The Zionist Dream”, a short film competition. His troubled students have absolutely no desire to participate in anything patriotic. Yaron is accidentally exposed to real life in Sderot as well as his students’ potential and he assigns them to film their lives.

Ohad’s father, a policeman, disappeared two years ago and has abandoned him and his mother Yaffa, a popular hair dresser. Yossi, his father’s partner in the police force, spends a lot of time with Yaffa to help her cope and ends up falling in love with her. After winning Ohad’s approval, Yossi finally gets together with Yaffa and they all move on.

Libi is a cynical Caucasian girl who is rebellious against her traditional parents who want to marry her off in order to prevent her from going into the army. Music is her only escape, she desperately dreams of being a singer. She films her older sister, Caro, and her turbulent relationship with her fiancé, Herzel Kenizo, who has just gambled away their wedding money.

הסוסיתא של הרצל - מצלמים מרחוק שלט שדרות

Erez, the “Fellini” of the class, focuses on writing a comedic script entitled, “The Road to Basel”. Starring Herzl, Caro’s fiancé, it describes the journey of Theodore Herzl, Israel’s founder, to the World Zionist Congress accompanied by a Bedouin. Their story provides comic relief as well as background and perspective to the present political situation.

Tal struggles with his hidden homosexuality while his abusive father is in a coma after being hit by a missile. Doctors try to persuade Etti, Tal’s grieving mother, to donate his father’s organs, while Tal tries to convince her to sell them to get out of Sderot.

When Amalia, the mayor, and potential school sponsors see Tal’s footage in class, they are shocked and appalled. She demands that they shoot more appropriate material for the competition but the students are reluctant to give up their films that bear the truth. They present Erez’s script to Amalia and receive her approval while they discreetly continue to work on their own projects at Yaron’s home.

A massive attack draws international media to the city and Yaron runs into his old friend, a producer who agrees to show the students’ videos on primetime television. The students and their families congregate at Yaron’s apartment to watch the premiere which is interrupted by news coverage of an approaching war and the students are devastated. Shortly after, Yaron is offered a job in Tel Aviv and leaves the city. Once again, the students of Sderot are left behind with nothing but each other and the sound of sirens.